Most sins pass through the lips, eventually,
through lips
rough like shuffled cards
or soft as a rouged mist or lips of girls
that blush like red snappers glinting glib
in the thundering light over a darkened bay
as she moves from room to room.
Lips calligraphic or
spasmodic; dragonfly-mouths
or lips that clench roll-ups
or show teeth between them like a pair of pearls
nudging at each other in a silk-lined box.
Lips that drag you screaming to their ruddy
breath-doors or
clothe deserts with their words.
Or lips that murmur to keep
the engine turned on
in a car park on a spring evening.







Devious Comments
"or soft as a rouged mist or lips of girls
that blush like red snappers glinting glib
in the thundering light over a darkened bay
as she moves from room to room." this bit ... she seems out of place ... she brings the focus back to the girl? to the fish? dunno.
really great word dances, though.
--
Artists are magical helpers. Evoking symbols and motifs that connect us to our deeper selves, they can help us along the heroic journey of our own lives.
Joseph Campbell
As for the category, it depends on what people read into it. More often than not the meaning of a poem is decided by the reader, rather than the author.
--
"Frankly, I have no taste for either poverty or honest labor, so writing is the only recourse left for me." - Hunter S. Thompson
I miss you. xx
--
Razorblade Kisses; A Beautiful Nightmare..
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